http://www.indiewire.com/2016/12/bela-tarr-interview-marrakech-film-school-1201762173/
He got his start with activist documentaries, the kinds built of shaky cameras and fiery politics, a far departure from the controlled fatalism that would define his later work. But as Tarr tells it, the move from social realism to metaphysical poetics was entirely natural. “When you finish a movie, you have a new question. And for the new question, you cannot use the old answer and that’s how, step by step, you grow up and develop a style or language.” Step by step, question by answer, he moved towards a greater level of narrative abstraction; he moved up the art-house ranks; he moved 2011, towards “The Turin Horse.”
I must find his movie and watch it, stay tuned!
No comments:
Post a Comment