Raffaela Anderson was in an interview by a women film maker.
Shes very articulate, and the film shows many famous professional of pornography actresses.
No matter what you say, how you take it, Brigitte LaHay says, there is a wound somewhere along the way - it is not the detached romantic, fun job that a lot of the actresses makes it out to be.
Raffaela Anderson also wrote a book "Hard". In the book, she talks of the reality of the job. In essence, she wants the truth be known.
She said at the end that, she feels sad, and that she would have like to be the person that she could have been. Courageous, I admire here. A strong personality, she tries/tried to keep in control within her context, and that is all anyone could do in any live. I think.
Shuen-git rl 周旋捷; Swann Jie sl/, 2011: N°1 Sculptures N°2 好奇藝術::舊+新 Kunstkammer :: Old+New & Film Reviews N°3 Digital Guqin Museum 數碼古琴互動藝術研究創作室 MicroTotalArt HandScroll Guqin; HuaKui cubes; === copyright: when using content of this blog, please use link,indicating source and author information. 版权声明:转载时请以超链接形式标明文章原始出处和作者信息 === http://swannbb.blogspot.fr/2015/02/sgc-2015-monumental-sculptures-etc.html ===
List of Monumental sculpture projects 2015
- 1 http://swannbb.blogspot.fr/2015/02/sunday-robot-play.html
- 2 http://shuengitswannjie.blogspot.fr/2015/02/interactive-reading-room-tea-house-2015.html
- 3 http://swannbb.blogspot.fr/2014/06/neo-ming-bed-luxembourg.html
- 4 http://swannbb.blogspot.fr/2013/02/yuzi-paradise-tell-moon.html
- 5 http://swannbb.blogspot.com/2011/09/12th-changchun-international-sculpture.html
- 6 http://www.saatchionline.com/Shuen-git
Friday, 26 July 2013
Traces‧魔蹤傳奇, Traces - 2d animation by french student
Traces‧魔蹤傳奇, by Xanthus ( taiwan and swiss company)
Traces, 2d animation by french student at school
Thursday, 25 July 2013
Wednesday, 24 July 2013
more pictures of Renzo Piano's cabin
http://design-milk.com/diogene-a-cabin-designed-by-renzo-piano-rpbw-for-vitra/
http://www.vitra.com/en-us/magazine/details/diogene
Diogene and its equipment
Diogene, named after the antique philosopher Diogenes who is said to have lived in a barrel because he considered worldly luxuries to be superfluous, is a minimalist living unit which functions completely autonomously as a self-contained system and is thus independent of its environment. With a surface area of 2.5 x 3 metres when fully assembled and furnished, it can be loaded onto a lorry and transported anywhere. Whereas “Diogene’s” exterior corresponds to the image of a simple house, it is in truth a highly complex technical structure, equipped with various installations and technical systems that are necessary to guarantee its self-sufficiency and independence from the local infrastructure: Photovoltaic cells and solar modules, a rainwater tank, a biological toilet, natural ventilation, triple glazing. To optimise the house’s energy, Renzo Piano is working with Matthias Schuler from the renowned company Transsolar, while Maurizio Milan is responsible for static equilibrium.
Diogene is equipped with everything you need for living. The front part serves as a living room: On one side, there is a pull-out sofa; on the other, a folding table under the window. Behind a partition, there are a shower and toilet as well as a kitchen, which has also been reduced to the necessary. The house and furnishings form a single unit. It is constructed from wood with a warm character, which also defines the interior. For the purpose of weather protection, the exterior is coated with aluminium paneling. The overall shape and saddle roof resemble the archetype of a house, but its rounded-off corners and the all-over façade materials also give the impression of a contemporary product. It is no simple hut, but instead a technically perfect and aesthetically attractive refuge. The great challenge lies in planning the complex product so that it is suitable for industrial series production. “This little house is the final result of a long, long journey partially driven by desires and dreams, but also by technicality and a scientific approach,” explains Renzo Piano.
http://www.vitra.com/en-us/magazine/details/diogene
Diogene and its equipment
Diogene, named after the antique philosopher Diogenes who is said to have lived in a barrel because he considered worldly luxuries to be superfluous, is a minimalist living unit which functions completely autonomously as a self-contained system and is thus independent of its environment. With a surface area of 2.5 x 3 metres when fully assembled and furnished, it can be loaded onto a lorry and transported anywhere. Whereas “Diogene’s” exterior corresponds to the image of a simple house, it is in truth a highly complex technical structure, equipped with various installations and technical systems that are necessary to guarantee its self-sufficiency and independence from the local infrastructure: Photovoltaic cells and solar modules, a rainwater tank, a biological toilet, natural ventilation, triple glazing. To optimise the house’s energy, Renzo Piano is working with Matthias Schuler from the renowned company Transsolar, while Maurizio Milan is responsible for static equilibrium.
Diogene is equipped with everything you need for living. The front part serves as a living room: On one side, there is a pull-out sofa; on the other, a folding table under the window. Behind a partition, there are a shower and toilet as well as a kitchen, which has also been reduced to the necessary. The house and furnishings form a single unit. It is constructed from wood with a warm character, which also defines the interior. For the purpose of weather protection, the exterior is coated with aluminium paneling. The overall shape and saddle roof resemble the archetype of a house, but its rounded-off corners and the all-over façade materials also give the impression of a contemporary product. It is no simple hut, but instead a technically perfect and aesthetically attractive refuge. The great challenge lies in planning the complex product so that it is suitable for industrial series production. “This little house is the final result of a long, long journey partially driven by desires and dreams, but also by technicality and a scientific approach,” explains Renzo Piano.
sl for film and architecture educators
Second Life needs to be much more consumer-friendly, and emphasize its value as a high 3D platform that would appeal to educational groups which need that very thing: Film and architecture educators, first and foremost. But Second Life needs a lot more fixes to be appealing to them.
http://nwn.blogs.com/nwn/2013/07/second-life-education-discounts.html
http://nwn.blogs.com/nwn/2013/07/second-life-education-discounts.html
Thoreau's new cabin, Renzo Piano
http://www.wired.com/design/2013/07/renzo-piano-diogene/
renzo-piano-diogene-exploded
- BY JOSEPH FLAHERTY
- 06.27.13
- 9:54 PM
If Thoreau Were a Modern Design Groupie, This Would Be His Cabin
- BY JOSEPH FLAHERTY
- 07.02.13
- 1:00 PM
Chicago Alternative Comics Expo (Cake), Animation an interdisciplinary journal, Jeff Scher
http://www.cakechicago.com/
The Chicago Alternative Comics Expo [CAKE] is a weekend-long celebration of independent comics, inspired by Chicago’s rich legacy as home to many of underground and alternative comics’ most talented artists– past, present and future. Featuring comics for sale, workshops, exhibitions, panel discussions and more, CAKE is dedicated to fostering community and dialogue amongst independent artists, small presses, publishers and readers.
Parallel Lines features animated work that highlights an overlap between alternative comics and experimental animation. The screening will include both classic and contemporary works on this theme, showcasing narrative and graphic parallels between the two forms.
Parallel Lines: Comics and AnimationRichard McGuire, Micro Loup. 2003. 7:00
Peter Millard, Bodoobieboodongo. 2012. 4:00
George Griffin, Head. 1975. 10:30
Kathy Rose, The Doodlers. 1975. 5:00
Leif Goldberg, Wee Wee Attractors. 2013. 4:15
Kevin Eskew, Dumb Day. 2012. 10:00
Amy Lockhart, Walk For Walk. 2005. 11:00
Kim Deitch & John Kuramoto, The Ship That Never Came In. 2003. 2:30
Winsor McCay, The Pet. 1921. 11:45
Stefan Gruber, The Edible Rocks. 2012. 3:00
Peter Millard, Bodoobieboodongo. 2012. 4:00
George Griffin, Head. 1975. 10:30
Kathy Rose, The Doodlers. 1975. 5:00
Leif Goldberg, Wee Wee Attractors. 2013. 4:15
Kevin Eskew, Dumb Day. 2012. 10:00
Amy Lockhart, Walk For Walk. 2005. 11:00
Kim Deitch & John Kuramoto, The Ship That Never Came In. 2003. 2:30
Winsor McCay, The Pet. 1921. 11:45
Stefan Gruber, The Edible Rocks. 2012. 3:00
Alexander Stewart and Lilli Carré of Eyeworks will hold an onstage Q&A with Kim Deitch, Leif Goldberg, and Kevin Eskew following the program.
Roots and Culture Contemporary Art Center
DePaul University School of Cinema and Interactive Media
Sonnenzimmer
Spudnik Press
The Nightingale Cinema
Chicago Filmmakers
Canyon Cinema
Video Data Bank
Carte Blanche
Bonobostudio
The Propeller Fund
The Society for Cinema and Media Studies
Chicago Alternative Comics Festival
Brooklyn Comics and Graphics Festival
Rendez-Vous de la Bande Dessinée d'Amiens
Dartmouth College
SKVER Festival
CSSSA
http://www.tcac.tw/?p=726taipei experimental new media art
Roots and Culture Contemporary Art Center
DePaul University School of Cinema and Interactive Media
Sonnenzimmer
Spudnik Press
The Nightingale Cinema
Chicago Filmmakers
Canyon Cinema
Video Data Bank
Carte Blanche
Bonobostudio
The Propeller Fund
The Society for Cinema and Media Studies
Chicago Alternative Comics Festival
Brooklyn Comics and Graphics Festival
Rendez-Vous de la Bande Dessinée d'Amiens
Dartmouth College
SKVER Festival
CSSSA
Animation
An Interdisciplinary Journal
Editor:
Middlesex University, London, UK
Asia Experimental Media Issue, edited by Lee Hang-Jun, Common Life Books
http://www.tcac.tw/?p=726taipei experimental new media art
Jeff Scher
The 3rd China International (King Bonn) New Media Shorts Festival, Liu Jian
http://en.kingbonn.cc/zjps.asp?classid=1
The 3rd China International (King Bonn) New Media Shorts Festival
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2012 Asian Experimental Film and Video Festival(EXIN) (2012·Nanjing)
Forum Topic: New Asia, New City, New Image
Time: November 16 – November 22, 2012 (a total of seven days)
Location: School of Journalism and Communication of Nanjing University (forum venue, screenings field), RCM Art Museum (operating base), Phylactery Studio (planning base)
Academic background of the forum
Experimental film, as an art form of film from the West, its status in Asian countries has been rarely known. When looking for the frame of reference of experimental film in Asia, people will unconsciously put their sights on the West, ignoring other far-eastern Asian countries ecologies (with the double levels of history and reality). Then such a situation emerges: people focus on overlooking far from the other hemisphere, while their vision of the close range are blurred by a false focus.
In fact, when experimental films are imported to Asian countries, because of their different backgrounds in politics, economics, and cultures, they have come across different circumstances, displaying different ecologies. If these situations are juxtaposed as a cultural landscape, cross reference and comparison, they are maybe able to produce a broader butterfly effect.
The situation changed in the fall of 2009, curators from main Asian countries in the field of experimental media, for the first time, gathered at Seoul Korea Forum(EXiS), which ushered in a new chapter of Asian experimental film. Then, 2010 EXiT Asian forum was held in Taipei in the fall of 2010, and EXiM Asian forum was held in Macau in 2011. Now, the 2012 Asian forum will push forward in Nanjing.
2012 Asian Experiental Film and Video Festival (EXIN) (2012·Nanjing), is divided into three parts: forum subject, film screenings, publishing a catalog and anthology. For the themed forum, they will invite first-class experts, scholars, filmmakers, directors and related celebrities to hold academic lectures and seminars. Meanwhile, film professionals from Germany, Austria, Switzerland and other European countries will be invited to participate in the activities of the forum, artists and critics from other countries and districts to deliver keynote speeches. Furthermore, the forum will organize special screenings of the latest production of experimental films.
Organization of the forum
Organizer: RCM Art Museum
Co-organizer: School of Journalism and Communication of Nanjing University, Institute of Media of Nanjing Arts Institute
Curating: Phylactery Studio (Nanjing)
Contractor: CIFF China Independent Film Festival (Nanjing)
Organizing Committee Sponsor: Hua Tian Independent Film Fund, South Gallery
Partner Institutions: Seoul EXIS Film Festival, Video Art Center in Tokyo, Association of Taipei “Movement – Image”, Oberhausen Film Festival, Germany
Partner Academies:
School of New Media Animation of Beijing Film Academy
Experimental Film Department of the Central Academy of Fine Arts
Cross Media Institute of the China Academy of Art
School of Visual Arts of Shanghai Fudan University Institute of Theatre & Television of Nanjing University
Experimental Center of Media of the City University of Hong Kong
EXIN Organizing Committee: Cao Kai, Chen Yun, Lv Xiaoping, Zhang Haitao, Zhang Xianmin, Yang Cheng, Zhou Kai
Chen Yun (Execution Director of RCM Art Museum)
Yang Cheng (General Manager of Tian Hua Hua Tian Beijing Culture and Media Co., Ltd.)
Zhang Xianmin (Professor of Beijing Film Academy)
Lv Xiaoping (Professor of the Department of Theatre & Television in College of Liberal Arts, Nanjing University)
Zhou Kai (Associate Professor of the Department of Radio and Television and the New Media, of School of Journalism and Communication, Nanjing University)
Cao Kai (independent curator, contemporary artist)
Zhang Haitao (independent curator)
Curator: Zhang Haitao, Shen Chaofang, Wang Boqiao General Secretary: Qian Tingting
Artistic Director: Cao Kai
Artistic Advisor: Zhang Peili, Hu Jieming
General Situation of the Forum
A total number of about 20 people will give their speeches; about 40 people participate in the forum, including overseas guests, experts, scholars, authors, graduate student, as well as about 20 media representatives, and 50 seats for observers from media, colleges and academic institutions in Nanjing. There is a total of 150 seats. Each speaker introduces a basic situation and basic information in 20 minutes, by PPT or any other presentation. Every speech unit has 45 minutes for each spokesman and time for questions.
Speakers of the Forum:
Zhang Peili (contemporary artist, Professor of Cross Media Institute of the China Academy of Art)
Guan Huaibin (contemporary artist, Associate President and Professor of Cross Media Institute of the China Academy of Art)
Liu Xuguang ( experimental animation director, President and Professor of School of New Media Animation of Beijing Film Academy)
Hu Jieming (new media artist, Vice-President of School of Visual Arts of Shanghai Fudan University)
Zhang Xiaotao (experimental animation director, Dean of the Department of New Media of Sichuan Fine Art Institute)
Ou Ning (Chief Curator of Shenzhen-Hong Kong Architecture Biennale and editor of the literary magazine of the Days of the South )
Li Zhenhua (international new media curator living in Europe)
Qiu Anxiong (contemporary artist, experimental animation director)
Zhou Xiaohu (contemporary artist, experimental animation director)
Yang Beichen (film scholar, editor of ARTFORUM)
Zhang Haitao (independent curator, editor of Art File)
Shen Chaofang (independent curator, Lecturer of Department of New Media of Sichuan Fine Art Institute)
Deng Dafei (independent curator)
Wu Junhui (the godfather of Taiwan’s experimental film, experimental film scholars)
Wen Jingying (experimental filmmaker, Assistant Professor of School of Creative Media, City University of Hong Kong)
Yan Xiaodong (responsible person of the Hong Kong Videotage, curator)
Bianca Lei (experimental filmmaker, Associate Professor of Macao Polytechnic Institute)
Sow-Yee Au (experimental filmmaker, Assistant Professor of Malaysia New Era College)
Hangjun LEE (experimental filmmakers, Chairman of EXiS Film Festival Seoul, Korea)
Ota Yao (experimental filmmaker, Japanese senior art critic)
Lukas Birk (Curator of Austrian independent film)
Zhou Fei (selecting films for Germany Oberhausen International Short Film Festival)
Films Screenings
Unit 1. Domestic Thematic Unit (Zhang Haitao, Shen Chaofang, Wang Boqiao): 12 sessions
Unit 2. Domestic Special Unit (Deng Dafei): 1 session
Unit 3. Asian Thematic Unit (Japan, Korea, Hong Kong, Macau, Taiwan, Malaysia, Singapore, Thailand): 8 sessions
Unit 4. International Unit: 3 sessions
Unit 5. Artists’ Case Unit (to be confirmed): 6 sessions ( in 2 days)
The totality is expected to hit 30 sessions.
Films screenings of important domestic experimental film artists: Zhang Peili, Wang Jianwei, Zhang Huan, Guan Huaibin, Song Dong, Yang Fudong, Cao Fei, Gao Shiqiang, Lu Yang, Hua Peng, ect.
Publication
The EXiN2012 Asian Experimental Film and Video Festival • Catalog
The EXiN2012 Asian Experimental Film and Video Festival • Anthology
The Catalogue and anthology of the forum are written by the forum planners, critics, directors, and will collect the relevant literature (description of works, historical overviews, concepts, etc). They will come off the press in a set of two volumes.
Catalogue (sextodecimo, 160 pages, offset paper)
Anthology (32mo, 250 pages, offset paper)
Poster (folio, full-color, coated paper)
Invitation (184×130mm, full-color, coated paper)
Courtesy of CAFA ART INFO.
http://tamk-artmedia.blogspot.tw/2013/02/liu-xuguang-beijing-film-academy-was.html
http://tamk-artmedia.blogspot.tw/2013/02/liu-xuguang-beijing-film-academy-was.html
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