http://www.aec.at/center/en/
Schizophrenia Taiwan 2.0
Taiwan is simultaneously center and periphery; embodies progress and
tradition; represents East and West, what is Chinese both internally and
externally. The tension between its well-defined national identity and
the still unsettled legal status with respect to mainland China is
omnipresent and manifests itself in people’s everyday lives.
“Schizophrenia Taiwan 2.0” addresses these contradictions and dualities,
and—in an allusion to Heiner Müller’s 1997 play “Die
Hamletmaschine”—conjures up a Taiwanmachine of its own. Like Müller’s
work, “Schizophrenia Taiwan 2.0” revolves around the technological
progress that is revolutionizing the world by fracturing traditional
narrative structures and advancing media to the status of central
economic factor. Born between the era of color TV and that of
smartphones, and born in a country responsible for a considerable share
of the world’s production of high-tech devices, Taiwan’s young media
artists are fully aware of the potential as well as the risk of
globalization and cybernetics. Their works reflect the challenges that
are now facing Taiwan and the entire world.
A reception and guided tour of “Schizophrenia Taiwan 2.0” for media
outlet representatives will be held on Thursday, September 5, 2013 at 5
PM. Accompanied by Ambassador Lien-Gene Chen, curator I-Wei Li will
conduct the ladies and gentlemen of the press through the exhibition.
This gathering is hosted by the Taiwan Ministry of Foreign Affairs.
Japan Media Arts Festival – A New Platform for Memory
Since 1997, the Japan Media Arts Festival has been honoring
outstanding artistic achievement in a broad spectrum of genres ranging
from animation and comics to media art and computer games. The festival
also functions as a showcase to provide greater visibility for the
prizewinning artists and their work. A best-of show curated from among a
total of 3,503 entries from 71 countries will be exhibited in early
September at this year’s Ars Electronica in Linz.
Project Beehive
In the spirit of this year’s festival theme, Ars Electronica is
trying out a new and different form of festival documentation. Instead
of filming the goings-on at the festival as neutrally, as objectively as
possible, and then storing the categorized material in our in-house
archive, we’re going to be focusing of a subjective festival experience
this time. To do it, a crew of students from Queensland University of
Technology is being equipped with wide-angle Actioncams and sent out
into the hustle and bustle. What they cover and how they do it is
completely up to them. What they most definitely shouldn’t film is the
stuff that producers, curators and artists consider interesting and
worthy of digital immortality. Instead, they should go out and capture
what appeals to them. Once the swarm has scoured the festival grounds
for sweet images, it’s time to buzz back to the Beehive, the Mobile Ö1
Atelier on Hauptplatz. Here, they can turn in their SD cards, upload
their files, and finally view their material on a jumbo wall tiled with
screens. This kaleidoscope juxtaposes diverse perspectives and points of
view without the slightest effort to privilege any one of them, and
thus delivers insights into the festival that radically differ from
those that could be gleaned from an archive. Project Beehive doesn’t aim
to document what went on at Ars Electronica 2013 but rather how it was
experienced.
Total Recall – The Evolution of Memory
This year’s Ars Electronica Festival is set for September 5-9 in
Linz. The 2013 theme is TOTAL RECALL – The Evolution of Memory. The
festival program includes, as always, a diversified lineup of symposia,
exhibitions, performances, interventions and concerts. Details will be
posted over the coming weeks to http://www.aec.at/totalrecall/en/.
Plus, thought-provoking background info and interviews with
participating artists and scientists will be made available on the
festival blog at http://www.aec.at/aeblog/en/.
press release “International partners of the 2013 Ars Electronica
Festival: Schizophrenia Taiwan 2.0, Japan Media Arts Festival, Project
Beehive” / PDF
Schizophrenia Taiwan 2.0 / The Unconscious Voyage / Wan-Jen CHEN / Printversion / Album
Shuen-git rl 周旋捷; Swann Jie sl/, 2011: N°1 Sculptures N°2 好奇藝術::舊+新 Kunstkammer :: Old+New & Film Reviews N°3 Digital Guqin Museum 數碼古琴互動藝術研究創作室 MicroTotalArt HandScroll Guqin; HuaKui cubes; === copyright: when using content of this blog, please use link,indicating source and author information. 版权声明:转载时请以超链接形式标明文章原始出处和作者信息 === http://swannbb.blogspot.fr/2015/02/sgc-2015-monumental-sculptures-etc.html ===
List of Monumental sculpture projects 2015
- 1 http://swannbb.blogspot.fr/2015/02/sunday-robot-play.html
- 2 http://shuengitswannjie.blogspot.fr/2015/02/interactive-reading-room-tea-house-2015.html
- 3 http://swannbb.blogspot.fr/2014/06/neo-ming-bed-luxembourg.html
- 4 http://swannbb.blogspot.fr/2013/02/yuzi-paradise-tell-moon.html
- 5 http://swannbb.blogspot.com/2011/09/12th-changchun-international-sculpture.html
- 6 http://www.saatchionline.com/Shuen-git
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