List of Monumental sculpture projects 2015

  • 1 http://swannbb.blogspot.fr/2015/02/sunday-robot-play.html
  • 2 http://shuengitswannjie.blogspot.fr/2015/02/interactive-reading-room-tea-house-2015.html
  • 3 http://swannbb.blogspot.fr/2014/06/neo-ming-bed-luxembourg.html
  • 4 http://swannbb.blogspot.fr/2013/02/yuzi-paradise-tell-moon.html
  • 5 http://swannbb.blogspot.com/2011/09/12th-changchun-international-sculpture.html
  • 6 http://www.saatchionline.com/Shuen-git

Thursday, 6 October 2016

hk cult film list

I dont necessarily agree with the definition of "cult" film here.
However here is an interesting list made by hk people with hk viewers perspectives

http://hk.apple.nextmedia.com/entertainment/art/20090905/13175411


上回提到50套港產喜劇引起極大迴響,其實港產片何止喜劇咁簡單?曾幾何時,香港電影人精英雲集,炮製出創意無限的電影,當中包括科幻、懸疑、超現實、喪屍、降頭、暴力、性愛、剝削、 SM、亂倫,總之噏得出的片種都有。冇錯,今次蘇芬妮要為讀者介紹的,就是拍攝手法奇異、標榜低成本、小眾式的港產 Cult片。
撰文:蘇芬妮

炮製 Cult片方程式

Cult片大家聽得多,但不少人誤解了 Cult片的定義,以為爛片便是 Cult,其實爛片未必一定 Cult, Cult片未必一定爛,但多數有以下特徵:
1.低成本製作( B片, Budget Film)
2.非主流,受小眾( Minority)狂熱追捧
3.剝削( Exploitation)
4.次文化( Subculture)
5.元素大雜燴(驚慄、科幻、靈異)
6.票房慘淡

1.《打蛇》
80年 導演:牟敦芾... etc 

a list

Thursday, 15 September 2016

tiny house build by High School class

http://www.thespec.com/news-story/6108838-mahoney-living-big-in-the-small-new-world-of-the-tiny-home/

Nov 10, 2015 

MAHONEY: Living big in the small new world of the tiny home
Hamilton Spectator
SEE MOREarticles from this author
You know that feeling, when you're building something, and all your measurements and calculations work out properly on the wood, the pieces fit seamlessly together, the bevel joints are flush, and everything harmonizes perfectly?
You do? What's it like? I can't even hang up a picture.
Dave Kipp's construction class at Westdale Secondary knows the feeling full well, literally and figuratively.
They're nearing completion on an absolutely inspired project for which their curiosity and passion around building are joined smoothly, like elements of carpentry, with the larger purposes of their education and broader themes of socially responsible living.
They are constructing what teacher Dave calls, alternately, a "tiny house," and a "mobile classroom."
The project flows out of a current in contemporary thought — simple, more efficient, less wasteful living. Dave has, for some time now, been very interested in the "small house" (sometimes called "tiny house") movement.
"I attended a seminar on it, buying them or building your own, and we've been looking at it," he says, but it didn't seem affordable.
Then, last year, partners stepped up. Lowes kindly supplied the wood, "blue" wood, and several other building materials. AMA Roofing produced the roofing supplies, and Jarvis Insulation is going to spray foam the place when it's done.
"The students are getting construction experience and an education in simple living," says Dave.
The project started last spring when all the framing went up. This September it resumed, with the roofing, siding and other phases of the building.
When I visit the place, students are crawling and climbing all over it, two of them on the roof, all of them wearing yellow hard hats, brandishing tape measures, hammers and other tools. (Not only do they practise skills on a house and learn about the small house movement, they also refine what they've learned about working at heights, first aid, WHMIS, and power-actuated tools, such as nail guns.)
The house looks terrific, almost done, except for the interior, which is still in the roughed-out stage. But there are plans — a composting toilet, kitchen, sleeping loft and other amenities. There's already a skylight in the roof, and solar panels will be going up at some point, furnishing the place with power.
It's 106 square feet — 16 feet long, seven feet wide and 12-plus feet high. The 23 students, along with Dave, designed the place. They did scale models.
"Since I was a little girl I've been helping my dad build things," says Madeline Goshgarian-Lueth, part of the building team and the student who wrote up the grant applications that helped get help from contributors like Lowes.
"I was thrilled when this came through. It's such an opportunity."
"I come to school happy every day," says Ben Woodley, who's been putting up some of the pine siding. "I get to work with my hands."
Emily McDonald's been working the roof. The height's no problem. "I like to be up there where I don't have to worry about what they're doing on the ground."
On this day she and Connor Thompson are putting up metal sheets, ice and water shield, strapping. I have no idea what all that is, but the roof looks great.
As much as anything, the students enjoy teamwork. They appreciate how their efforts coalesce into a unity, a house.
"It's not easy to find a class where you get along with every person and work for the common good," says Lucas Robichaud.
For Evan Hamilton and Nicholas Elsasser the thrill has been watching the house develop, from the ground up. They worked on it last term, when the walls weren't up and now it looks, well, like a house, a small house, but a house.
And that's a big, big deal.
Teacher Dave says when the project is done they will tour the house (it's being built on a flatbed trailer) to elementary schools to introduce students to project-based learning.

Wednesday, 7 September 2016

Creative Instruments you could make : Sape; and sapeur from Congo: Papa Wemba

https://en.wikipedia.org/wiki/La_Sape
Sape

Creative Instruments you could make : Sape


The noted musician Papa Wembawas an important supporter of La Sape in Congo

Jules Shungu Wembadio Pene Kikumba[1] (14 June 1949 – 24 April 2016), better known by his stage name Papa Wemba, was a Congolese singer and musician who played Congolese rumba,[2] soukous and ndombolo. Sometimes dubbed the King of Rumba Rock,[1] he was one of the most popular musicians of his time in Africa and played an important role in world music.[3] He was also a fashion icon who popularized the La Sape look and style through his musical group Viva la Musica,[4][5][6] with whom he performed on stages throughout the world.[7]

Papa Wemba Le Roi De La sape Documentaire ( Version complète )




Tuesday, 30 August 2016

List of Master Guqin Makers

http://tianrensg.weebly.com/master-maker-26027297482151723478

crystal glass from warring states






































http://www.chinawhisper.com/top-10-awesome-ancient-chinese-inventions/

 I really like the form, somehow its got a perfection in the shape and lines.
The person who made it had something v gentle.  
The lower part of the wall is has a very slight curve - 
unlike objects in the 90s in the style of "designer" glasses 
which is usually v hard edged. (often black and glossy) 
It reminds me that this is the kind of things I like. Glowing, opalescent, soft. 
Really, I like perfection. 
Arts and Crafts perfection. 
Well-madeness in things. Amongst other things.

A writer once told me, he makes a small alter at home, 
and put things that would remind himself of what his focus was -
 it is something to remind himself, a way to not get lost.

This glass has somehow this effect, 
it reminds me of a kind of perfection, 
glowing type of soft perfection.  

That is the qualities in things that I like.

Monday, 29 August 2016

路边野餐(2016)Kaili Blues ***half, dir Bi Gan

https://www.youtube.com/watch?v=kPBqRl9yQfo&sns=fb

【一席】毕赣《路边野餐》

Interesting self presentation.  Very humorous subtle person.
His presentation enticed me to see his movie.
His movie is a lot more melancholic than his lovely story telling of the self laced with humor speech. Could have been stand up comic, lot more consistent than the usual standup comic routine.  Better, more relevant material.
Good poetic film.  I especially like his way of linking the beginning to how he made his movie.
I would think, if we followed his method.  Just imagine if you conducted all his moves, but plugging in your own data, what kind of movie would you get?

Are all stories more or less the same structure?  There is a limited story structure in the world, and you just plug in variables?

I was with a group of movie making people - most of them studied films.
So they wrote up a structure - synopsis of a film - however you ask me to fill in the data, it somehow just wont be the kind of film that I like to make.  I cannot write a script following their "story outline" method.  But here, I think his method, is interesting its a kind of Open Work.

Is it true?
Must test it to know.

Below is the actual movie, a prize winning film.  Golden Horse award.  I think.  Will update after checking

https://www.youtube.com/watch?v=jasvC7Hxr3k

More info concerning independant film investor, producers, 40mn shot
http://www.zhihu.com/question/34627596

======================================================================

路边野餐(2016)


The story is a bitter sweet film recounting what happened to a man and his love the village stories of various people.  We see realistic set ups in the village, lighting soft, and the viewer pieces the stories together themselves.  It is not an explicit documentary.  But the feeling of the landscape, the way people talk, the setting, its very authentic.

Poetic.  In fact, there are free association, stream of consciousness type of metaphor in some of the captions/ subtitles.

Something slow and alive.  Soulful.
======================================================================

路边野餐(2016)Kaili Blues ***half, dir Bi Gan

https://www.youtube.com/watch?v=kPBqRl9yQfo&sns=fb 

【一席】毕赣《路边野餐》

Interesting self presentation.  Very humorous subtle person.
His presentation enticed me to see his movie.
His movie is a lot more melancholic than his lovely story telling of the self laced with humor speech. Could have been stand up comic, lot more consistent than the usual standup comic routine.  Better, more relevant material.
Good poetic film.  I especially like his way of linking the beginning to how he made his movie.
I would think, if we followed his method.  Just imagine if you conducted all his moves, but plugging in your own data, what kind of movie would you get?

Are all stories more or less the same structure?  There is a limited story structure in the world, and you just plug in variables?

I was with a group of movie making people - most of them studied films.
So they wrote up a structure - synopsis of a film - however you ask me to fill in the data, it somehow just wont be the kind of film that I like to make.  I cannot write a script following their "story outline" method.  But here, I think his method, is interesting its a kind of Open Work.

Is it true?
Must test it to know.

Below is the actual movie, a prize winning film.  Golden Horse award.  I think.  Will update after checking

https://www.youtube.com/watch?v=jasvC7Hxr3k

路边野餐(2016)


The story is a bitter sweet film recounting what happened to a man and his love the village stories of various people.  We see realistic set ups in the village, lighting soft, and the viewer pieces the stories together themselves.  It is not an explicit documentary.  But the feeling of the landscape, the way poeple talk, the setting, its very authentic.

Poetic.  In fact, there are free association, stream of consciousness type of metaphor in some of the captions/ subtitles.

Something slow and alive.  Soulful.