Vertigo - Centre Pompidou 15mars-18mars2017; impression 3d 2016

Architecture et conception 3D

Thought and Debate

15 March 2017, at 15:00 (5h00)

Cinéma 2 - Centre pompidou, Paris

Entrée libre dans la limite des places disponibles

15h-18h | Table ronde
Avec Gilles Retsin, architecte
Manuel Jimenez Garcia, architecte
Jenny Sabin, architecte
Joris Laarman, architecte
Philippe Morel, président de XtreeE – Impression 3D en architecture
Animation : Frédéric Migayrou, directeur-adjoint du Mnam/Cci-Centre Pompidou

18h30 | Rencontre : Musique/architecture
Avec Olga Neuwirth, compositrice et Greg Lynn, architecte
Animation : Frank Madlener et Frédéric Migayrou

Journée traduite simultanément.

Curator : IRCAM / F. Madlener, Mnam/Cci

Interesting 3d printing concrete, furniture, metal bridges w architects

Simulation et réalité virtuelle

Thought and Debate

16 March 2017, at 15:00 (3h00)

Cinéma 2 - Centre pompidou, Paris

Entrée libre dans la limite des places disponibles

15h-18h | Conférences

15h00 Franck Varenne, maître de conférences à l’université de Rouen

La simulation spatiale comme construction intégrative et multiprocessus.

15h30 Bruno Lévy, directeur de recherche Inria, responsable de l’équipe-projet ALICE

Forme, Fonction et Esthétique

16h00 Gaël Seydoux, responsable recherche et innovation de Technicolor
Du lien entre émotion et immersion dans les expériences immersives

16h30 Frédéric Kaplan, directeur du laboratoire d’Humanités digitales de l’École polytechnique fédérale de Lausanne

Venise Time Machine

17h00 Olivier Warusfel, Markus Noisterning, chercheurs à l’Ircam-STMS

Projet San Lorenzo

17h30 Thierry Coduys, chef de projet association IanniX / Gaël Martinet, cofondateur de la société Flux::

Journée traduite simultanément.

Makers, design et morphogénèse

Thought and Debate

17 March 2017, at 10:00 (10h00)

Cinéma 2 - Centre pompidou, Paris

Entrée libre dans la limite des places disponibles

10h00 - 12h00 | Méthodologie du design sonore : articulation entre théorie et pratiques

12h00 – 13h30 | Table ronde : Makers, design et économie collaborative

Avec Sébastien Broca, sociologue, université Paris 1 Panthéon-Sorbonne
Amélie Capon, avocate
Marie-Christine Burau, sociologue, chargée de recherche CNRS- Cnam
Vincent Guimas, cofondateur Nouvelle Fabrique 
Collectif Ippolita
Animation : Anne-Cécile Worms, fondatrice et présidente de la société Art2M

15h - 16h30 | Conférences : Nouvelles lutheries
15h00 Frédéric Bevilacqua et Emmanuel Fléty, chercheurs à l’Ircam-STMS ; Hugo Placido da Silva, cofondateur de la société pluX
Multimodal interaction tools for hackers and artists

15h30 Adrien Mamou-Mani, fondateur de la startup HyVibe
L’hybridation des instruments acoustiques et numériques

16h00 Pauline Eveno, fondatrice de la startup SYOS
SYOS, l'impression 3D au service du son sur-mesure

16h30 - 18h | Table ronde : Design

Avec Paola Antonelli, conservatrice principale de la section Architecture & Design du MoMa Marie-Ange Brayer, conservatrice, chef du service Design et Prospective industrielle, 
Mnam/Cci-Centre Pompidou 
François Brument, designer
Nicolas Henchoz, fondateur et directeur de l’EPFL+ECAL Lab
Sylvain Lebfèvre, chercheur à Inria
Animation : Marie-Ange Brayer

18h30 | Rencontre : Formes et mathématisation du monde
Avec Alain Prochiantz, chercheur en neurobiologie, professeur au Collège de France
et Alain Connes, mathématicien, professeur au Collège de France et à l’IHES
Animation : Moreno Andreatta.

Journée traduite simultanément.

Curator : IRCAM / F.Madlener, Mnam/Cci

Les formes du digital (digital forms)

Labex Cap

Thought and Debate

18 March 2017, at 14:00 (6h00)

Cinéma 2 - Centre pompidou, Paris

Entrée libre dans la limite des places disponibles

Dans le cadre de l'exposition « Imprimer le monde » 
Dans le cadre d’un Laboratoire d'excellence "Création, arts, patrimoines" (LABEX CAP) et avec l’aide du service de la parole du DDC, Centre Pompidou.

Keynotes
14h30-15h : Mario Carpo, professeur, UCL Bartlett School of Architecture, Londres
15h-15h15 : Marie-Ange Brayer, conservatrice, chef du service Design et Prospective industrielle, MNAM-Cci, Centre Pompidou, Paris
15h15-15h30 : Christian Girard, architecte et professeur, Ecole Nationale supérieure d’architecture Paris-Malaquais, Paris
15h30-15h45 : Sophie Fétro, maître de conférences, Université Paris 1 Panthéon-Sorbonne, Paris
15h45-16h : Camille Bosqué, docteure et enseignante, Université Paris 1 Panthéon-Sorbonne, Paris

Tables rondes
16h-17h15 : Table ronde « Design, nouveaux process » 
modérateur : Marie-Ange Brayer
Avec
Vincent Fournier, artiste et auteur, Paris
Yvon Gallet, fondateur d’Initial, groupe Gorgé, France et Catherine Gorgé, directrice de la division “Les Créations” d’Initial, groupe Gorgé, France
Claire Warnier et Dries Verbruggen, studio Unfold, designers, Anvers
Kevin Clément, docteur et architecte, Kengo Kuma and Associates, Université de Tokyo, Advanced Design Studies Unit
Michael Hansmeyer, architecte, programmeur, professeur invité Académie des Beaux-Arts de Vienne
Mathias Bengtsson, designer, Stockholm

Pause

17h30-18h45 : Table ronde « Architecture et impression 3D » 
modérateur : Christian Girard
Avec 
Alexandre Dubor, architecte expert en fabrication numérique et robotique à l'IAAC (Institute for Advanced Architecture of Catalonia), Barcelone
Frédéric Vacher, directeur en charge de la prospective et de l'innovation ouverte, Dassault Systèmes, France
Fabio Gramazio, architecte, Gramazio Kohler Research, Zürich
Henriette Bier, architecte, enseignante, TU Delft University of Technology, Hyperbody Departement, Pays-Bas et Sina Mostafavi architecte, TU Delft University of Technology, Hyperbody Departement, Pays-Bas
Alisa Andrasek, architecte, professeur, UCL Bartlett School of Architecture, Londres et RMIT Architecture and Design, Melbourne
Lilian van Daal, designer, Arnhem

18h45-20h : Table ronde « La fin de la représentation ? » 
modérateur : Justin McGuirk, écrivain, conservateur en chef, Design Museum (Londres) et co-responsable du département Design Curating & Writing, Design Academy (Eindhoven).
Avec
Matthew Plummer-Fernandez, artiste, chercheur, Goldsmith College, Londres
Daniel Rourke, artiste, critique, fondateur du collectif Additivism, Berlin
Emmanuel Cyriaque, directeur éditorial des éditions HYX
Goliath Dyèvre, designer, Paris et Grégory Chatonsky, artiste, Paris
Raphael Thibault, artiste et cinéaste et Cho Hyun-Hwa, compositrice

20h-20h30 : échange avec le public

Cette journée d'étude bénéficie du soutien d’HéSam Université Paris Nouveau Monde, du Centre Pompidou, de l’Institut ACTE-CNRS, de l’Université Paris 1 Panthéon-Sorbonne, de l’École d'architecture de Paris-Malaquais, et de l’Ircam. 
Elle fait écho à l'exposition « Imprimer le monde » au Centre Pompidou (15 mars-19 juin 2017).

Curator : Mnam/Cci, Marie-Ange Brayer, DDC / Parole

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http://www.3dnatives.com/exposition-impression-3d-13012016/

3d-printing-news 2017

http://www.prototypetoday.com/3d-printing-news
3d printing events

giant size printer; Andrew Harmon; largest printers in the world

Z-unlimited
https://3dprinting.com/news/z-unlimited-ultimaker-rails-system-will-enable-3d-print-tall-objects/

March 10, 2015
You want to print something REALLY tall? Now you can! Dutch inventor, artist and engineer Joris van Tubergen has developed an extension rail system that enables your Ultimaker to print as high as you can stack the rails. In theory this setup gives you unlimited z-axis height and you can print very tall prints. Since the printing device is Ultimaker turned upside down you are still limited with x and y area, however you can put as many machines as you want side by side and make anything in modules. Warping or various other deviations are highly likely unavoidable but it doesn’t really matter in such large dimensions and larger nozzle is prefered because you need huge mass of plastics. The object is held in place, supported and fixated by fibre spun over the print path which is then incorporated into the object, the excess support fiber can be removed when the object is finished. The system to power the rails and the control system are not described in detail yet.

Z-Unlimited technical summary:

• Add-on for Ultimaker original and original plus
• High quality prints like you are used to from your Ultimaker 3D printer
• Enlarge your print area without consuming extra space of your workspace
• Conversion in only 10 minutes
• Non-permanent conversion
• Including smart support system for high printed objects
• Including easy to install software and firmware update
• No change of workflow
• Open Source / Creative Commons (BY-NC).

https://all3dp.com/biggest-3d-printers-world/
33 largest printer in the world


http://www.matterhackers.com/articles/printing-outside-the-box-exceeding-the-build-volume-of-your-printer


http://www.matterhackers.com/news/an-artistic-perspective-on-printing-outside-the-box

Andrew Harmon

photogrammetry

https://www.allegorithmic.com/blog/go-scan-world-photogrammetry-smartphone

• 上海1976 Shanghai 1976 (2007)  胡雪杨 Hu Xueyang
• 
  

• 
  
• 中华名人录
• 
  

上海1976 Shanghai 1976 (2007)

烩面馆 Hui Mian Guang (2005)

山楂树 (2004)

工地上的女人 (2004)

退役射手 Tui Yi She Shou (2002)

半生缘 (2002)

白领公寓 (2001)

冰与火 Ice and Fire (1999)

罪恶 Sin (1996)

牵牛花 Qia'niu hua (1995)

湮没的青春 Youth In Silence (1994)

欲海无情

留守女士 Those Left Behind (1993)

编剧-胡雪杨 Hu Xueyang

上海1976 Shanghai 1976 (2007)

牵牛花 Qia'niu hua (1995)

演员-胡雪杨 Hu Xueyang

湮没的青春 Youth In Silence (1994).....罗小绪

欲海无情

制作人-胡雪杨 Hu Xueyang

上海1976 (2007)

• 性别 ：男
• 国籍 ：中国(内地)
• 毕业院校 ：北京电影学院导演系
• 职业 ：导演 编剧 演员

nozzle for 3d printer; stainless steel filament protopasta

http://3dsolex.com/product-category/3dprinter-nozzles/
which nozzle to buy for ultimaker 2ext

https://www.lulzbot.com/store/filament/stainless-steel-pla
stainless steel filament proto-pasta

Filament Specifications

Filament Diameter: 2.85 mm (0.11 inches)

Amount of Filament: 500 g (1.1 lbs)

Average Length of Filament: 36 m  ( 5m per robot = 7 robots)

US$56.00

Filament color may vary

• Compatibility Alert:
  Due to the blended metal powder found in this filament, we strongly recommend using a LulzBot Tool Head with a .5mm nozzle for optimal 3D printing performance.
• Prolonged use:
  While our internal testing with the LulzBot Hexagon Hot End has not encountered measurable wear on the tool head, pay attention for any print quality changes.

https://www.proto-pasta.com/products/stainless-steel-pla?variant=1265199848
500grm, 49.99us
500grm=36m
125grm = 9m
13.8grm = 1m
69grm = 5m
50grm= not enough to print one robot

.5mm nozzle for optimal 3d printing performance

.4mm available here...
http://www.ebay.com/itm/V5-V6-0-25-0-4-0-8mm-Stainless-Steel-Nozzle-for-3D-Printer-1-75-3mm-Filament/201650153537?_trksid=p2047675.c100005.m1851&_trkparms=aid%3D222007%26algo%3DSIC.MBE%26ao%3D2%26asc%3D41375%26meid%3Dace690e7f34341cf8aa01eec797ced49%26pid%3D100005%26rk%3D5%26rkt%3D6%26sd%3D291751131663

"Chez nous" Lucas Belvaux ***

"Chez nous" , Lucas Belvaux ***

Watched this low key movie, on politics.  Very briefly the movie shows immigrants in low rental housing projects - very orderly clean and gentle environment, where the husband does not allow his wife to see a male gynecologist, and will refuse to talk to a home visiting nurse who is a woman.  The daughter is a very pretty, well fed, healthy yg girl born in France.  She also has her words to say about racism.

The extreme right group gathering people together, how to speak, move the crowd and never use the word "racist" but you could say, he said a few other words which represented and insinuated the meaning.

The doctor a local well to do character and the female political leader are both in a comfortable life position - they want to be extreme white - chez nous (keeping our homeland white and pure, and not invaded by low pay workers coming to destroy the quality of our level of life.  Low income people brings a life style that gives a bad "look" to their town)

As the movie goes on, we see the youths coming to clash, the simpler low income immigrants vandalises the nurses car (because she is seen as an undesirable person coming to do harm to their turf) and - unbeknown to her - she has been protected by the extreme right group of extreme right underground service, they jump off a hidden van and started a bashing.

All this is linked to a gentle good looking Marocain/Algerian yg man who used to work in secret for the extreme right group.  He did the dirty work.  Now, split from that group he is engaged in yet another group.  As a youth athlete teacher/ coach, what could he do after conversion?  He changed camps but works in the same type of service.

Through all this, through the nurses short venture into politics as a municipal representative, we see whats involved.

I have just read the "6 sec in Dallas" a book on JFK assassination analysis - very interesting details.  This is in the 60s, and here we are in 2017, at a much smaller scale, in a small town, the type of riff raff that goes on in the mechanism of politics.

I have never paid any interest in this area - after watching the film, suddenly I think, as an Asian looking person, it is fearful for me to come across extreme right groups and also to a lesser degree riff raffs in the housing projects.  

I wonder where is my place if I am stuck in such a society?